Monday, May 14, 2018

May 14, 2018 - The Invisible Hand

It is about patterns.  They are everywhere, and they make up the fabric of our lives.  Indeed, they make up the fabric of the Universe.  Without patterns, there is nothing but chaos, and chaos means death.  If there is a definition for “evil,” it must be chaos—complete disorder and disruption and loss of the precious patterns.  Without order, there can be no life, for life follows a very certain set of strict rules and patterns, and it never deviates from these rules and patterns.  Never.  They are fundamental to growth, and growth is life.

There are many patterns that are easily identifiable because they are complex and present elaborate evidence to our eyes.  Who could deny the stunning beauty and order of a spiral seashell, the head of a sunflower, or the deep red color of a cardinal’s feathers?  Their order and discipline speak to the secret part of our soul that craves union with Final Form, the part of us that longs for the Archetypical world.  But that’s easy.  Anyone can spot that if they open their eyes because patterns bring pleasure, whether they are seen or felt.

The signature of the wind.
Yet there is another pattern, one much subtler and older.  I noticed it many years ago when smiling at the willy-nilly dandelions as they peppered the field here and there in the early spring, spattering the landscape with brilliant yellow light.  He who cannot smile from this sight is poor, indeed.  The simple yellow color meandered around, now here and there, now thick and thin, and then almost absent, only to show up again in rich abundance. 

And I realized that I was looking at the wind.  It was the first time I had ever seen the wind.  Up until then, I had only felt it or heard it, but I had never seen it with my own eyes.  Here, then, was proof of the wind.  For who spread those dandelion seeds in the field in their strange and complex pattern but the wind?  Who dashed now left and right, high and low, bare and thick but the wind?  The wind had taken hold of those tiny, feathery little seeds and placed them precisely where they ought to be, as if they were a signature saying, “I am the Wind.  I was here.  This is my work.”

This is what I believed for years, and every spring I would look for evidence of the wind from the year before and its indelible mark on the field.  But one day it occurred to me that the wind was just a tool being used, for the wind is just one of many forces that disseminates the Master Pattern.  The Great Alchemist reaches out His hand and commands the almost chaotic wind, and out of chaos comes order, out of nothing comes something.  Out of a tiny seed, inert and dead-appearing, springs forth the plant with the pattern of the flower imprinted on its soul.  Not unlike the Universe at all, as it springs forward and reveals the Hand that commands the pattern—the whole being greater than the sum of its parts.

We are all dandelions in a field, after all.